The Sacrificial Universe by David Chaim Smith

Fulgur Ltd. 2012. 120 pages. Small folio. Black and white illustrations.

Available in two editions:

Standard edition:  Cloth-bound hardcover with dust-jacket. Limited to 800 copies.

Deluxe edition:  Quarter-bound leather hardcover with dust-jacket and slipcase.  Limited to 88 copies.  Sold out at publisher.

"The entire lower world was created in the likeness of the higher world. All that exists in the higher world appears like an image in this lower world; yet all this is but One." -- The Book of Zohar

Fulgur Ltd. has a unique (and crucial) role in the occult publishing industry. While most esoteric publishers focus primarily on beliefs, techniques, formulae, and philosophies of various traditions (from ancient and contemporary) -- essentially creating 'how to' books --  Fulgur Ltd. takes a far more abstract approach to the way it presents magical practice. To date, the publisher's primary focus is publishing works which explore and celebrate the esoteric in art (primarily visual art). They have published books featuring esoteric artists such as Orryelle Defenestrate-Bascule, Barry William Hale, and of course, Austin Osman Spare. This approach has recently blossomed into a full esoteric art exhibition titled "I:MAGE" held last May in London.

In 2012, Fulgur Ltd. added David Chaim Smith to their talented lineup and published The Sacrificial Universe. It is an utterly fascinating book containing artwork reminiscent of symbolic alchemical illustrations. Smith's work also appears to pay homage to the celestial, and often cryptic, artwork of Dionysus Andreas Freher (1649-1728) which accompanies the mystical texts of Jakob Boehme. Each image is like a window into the inner mechanisms of the universe, revealing how all things are possibly interconnected.

The book contains 30 full-page plates, five folding triptychs, and a quadriptych. The artwork contained within The Sacrificial Universe is stunningly unique, yet I think it is fair to compare it to Smith's style a few artists in particular. It has biomorphic/biomechanic aspects reminiscent of H.R. Giger, the structure and spiritual depth of Dionysus Andreas Freher's works (as aforementioned), and has the textual elements and diagrammatical presentation and function of the "magical machines" of Paul Laffoley. One of the most curious and paradoxical aspects of Smith's art is that he uses physical matter: organs, Alchemist's flasks, roots, horns, and other amorphous and organic forms to illustrate highly spiritual non-material principles.

The Sacrificial Universe is not written for the beginner. The book presents a highly complex Kabbalistic philosophy (or an exceedingly simple one depending on one's understanding). Those with little understanding of Qabalah (however one chooses to spell it) may have difficulty following his logic and conclusions -- but that is part of the beauty of art; even with little understanding of Qabalah one may still be able to intuitively glean esoteric understanding by Smith's remarkable artwork. Various elements and form may resonate with some readers on an instinctual or unconscious level. That said, readers will benefit greatly by having a basic understanding of Hebrew, as nearly all of Smith's works incorporate Hebrew letters into their design and structure. Thus, each piece is essentially a coded cipher loaded with many potential layers of meaning.

The book is divided into three parts:

Part One

1. The Birth of the Sacrificial Language
2. The Heart of the Matter
3. Sacred Geometry of the Serpent's Crown
4. An Ocean of Copulating Reflections
5. Mysteries of the Double Hexagram
6. The Nine Keys

Part Two

1. Penetration of the Dream Membrane
2. The Magical Language of Biomorphism
3. The All-Burning Prayer of Cognizance 

Part Three

1. The Gnosimic Verses
2. Three Seals
3. Three Aspects of Gnosis in Six Manners of Investigation
4. The Heart Adorned with the Serpent's Crown
5. A Blazing Mirror of Itself
6. Commentary on the Stages of Ideational Contemplation
7. Funeral for the Empire of Witness

This is not 'New Age' Qabalism. Smith has stated that his primary influences are Medieval Qabalistic (Kabbalistic) sources such as The Book of Zohar, The Book of Contemplation, and The Fountain of Wisdom. This makes for some heavy reading. I'll be honest and admit that a few parts were a bit beyond my understanding. I do not fault the author; he does his best to explain highly complex concepts as best he can, rather, Smith helped me discover the gaps I have in my understanding of advanced Qabalistic thought. This is not a book to be hastily devoured. I suspect it will require a great deal of study, pondering, and revisiting from serious readers as the book slowly reveals its secrets over time.  Each image is worthy of hours of contemplation.

Fulgur Ltd. has built a solid reputation for printing very high-quality books; The Sacrificial Universe exemplifies their high standards. The Deluxe version of the book is quarter-bound in beautiful, dark gray, morocco with gray cloth boards. It includes a hand-written limitation number and is signed by the author. The title is blocked in red on the spine. The cover contains a Qabalistic device (also blocked in red -- one of Smith's diagrams) which stands out nicely against the dark gray background. The book includes custom endpapers and red head/tail bands. Artwork and text is printed on heavy paper with a matte finish. Page ends are finished in silver foil lending the book a lavish look. A sturdy slipcase in matching gray cloth is also provided.

Like the standard edition, the Deluxe edition comes with a dust-jacket which has a very interesting and unusual texture -- almost rubbery.  The cover sports one of Smith's illustrations. I have always found it perplexing why Fulgur includes dust jackets on their Deluxe and slip-cased books. Why cover up a beautifully bound leather book with a paper dust-jacket? A slip-case provides ample protection making a dust-jacket superfluous. Of course one can always remove the jacket, but most collectors prefer to keep their books 100% intact. Furthermore, dust-jackets can become easily worn or torn by sliding the book in and out of slipcases. In my opinion, clam-shell cases work much better for books with dust-jackets, as one lifts the book directly up and out rather than sliding and creating friction. To minimize wear, I have chosen to cover my dust-jacket with an archival jacket protector. I prefer Brodart's Just-A-Fold III jacket protectors. They are polyester, very durable, and are 100% acid free -- see photo directly below.

The Sacrificial Universe is a must-have for anyone who appreciates esoteric art regardless of one's path or area of study. Smith's art transcends cultural barriers through the use of sacred geometry, universal forms, and natural symbolism. His works are visual journeys that take the viewer on a kaleidoscopic and labyrinthine path of inner discovery and alchemical transformation. I am in awe of his talent and greatly look forward to his next book, The Blazing Dew of Stars, to be published soon by Fulgur Ltd.

WINNER: 2012 Esoteric Book of the Year

*A note on how books are judged.

Books will be judged by the following criteria: binding, materials, design, talismanic intent & method of consecration (if applicable), layout, and editorial rigor.  Unlike last year, this year I have decided to pick from books actually released in 2012 rather than books with a 2012 copyright date.  This is because many books tend to encounter publishing delays.  This is especially common in esoteric publishing for a number or reasons.  For example, a 2011 book may not actually be available until 2012 in some cases.  Books will not be judged by their content.  This may sound strange, but I feel it is unfair and pointless to compare or make value judgments on different magical paths or traditions (like comparing apples to oranges). While I do my best, I am not qualified to judge and assess every single magical system the world has to offer; I very much doubt such a person exists.  Therefore, books will be judged by their craftsmanship,  creativity, and beauty only.  So without further ado Balkan's Arcane Bindings (BAB) is proud to announce its pick for the English language 2012 Esoteric Book of the Year.


The BAB 'Golden Talisman Award' for '2012 Esoteric Book of the Year' goes to....



The Society of Esoteric Endeavor & Treadwell's Books edition of Devils & Spirits by Anon.

When it comes to contemporary publications, I consider this book to be one of the crowning jewels of the entire Balkan collection.  Devils & Spirits absolutely epitomizes the concept of a magical grimoire.  It exudes an aura of hoary mystery, uncommon luxury, and implicit danger.  This is not some re-imagined compendium of spells, nor it is a post-modern attempt at redefining sorcery -- this is a text with historical merit.  Devils and Spirits is a reprint of 17th century spells, charms, and practices as recorded in two anonymous texts; one a grimoire of conjurations, and the other a discourse on the nature of devils and spirits.  Each originally appeared in the appendix of the 1665 edition of Reginald Scot's Discoverie of Witchcraft.    This edition includes an introduction by Christina Oakley-Harrington, proprietor of Treadwell's Books of London.

What makes this edition particularly important is that it was created through a collaboration between one of the finest esoteric publishers of our day (TSoEE) and a popular occult bookstore, Treadwell's Books of London.  This, in my opinion, gives Devils and Spirits unique historical significance.  The book is, in essence, an emblematic specimen of the fine occult publishing world at the dawn of the 21st century.  Limited to only 14 copies.

Devils and Spirits is bound in full Spanish leather displaying wonderful natural striations.  Hand tooled border and includes numerous gilt devices.  Decorative, two-tone, gilt-stamped title.  Marbled boards.  Comes with matching marbled paper bookmark.  Printed in two colors (black and red).  Includes felt-lined, lidded, slipcase with marbled lip.  Slipcase lid bound in matching leather.  The craftsmanship is astounding.  Bookbinding at its finest.  Congratulations!

In second place, the BAB 'Silver Talisman Award' goes to...

The Society of Esoteric Endeavor's Experimentum compiled by Frederick Hockely with translation and transcript by Dan Harms.

Yet another exciting release from The Society of Esoteric Endeavor.  Experimentum is made to look as close to the original manuscript as possible.  The pages are full-color giclée facsimiles of the original handwritten pages.  The quality is so good and deceptively realistic that a casual observer may mistake it for an original manuscript.  Dan Harms provides a translation of the text (the handwritten script can be difficult to read at times), a brief essay on the history of the text, provides thorough notes on the text, and includes a bibliography.

The book is half-bound in supple, blue, sheepskin with tooled accents.  Marbled boards are treated with beeswax, making the book water resistant and lending it a soft sheen.  Experimentum comes with a slipcase standard; however, an optional lidded slipcase and/or chemise can be custom ordered.  The chemise is blue cloth, blocked in gilt, and lined with blue suede.  Flaps on each side can be lifted to reveal tipped-in plates.  One is a fascinating full-page image from the book.  It is fully restored with screen-printed metallic inks (gold, silver & copper) to reveal how the original must have looked before the fine detail was obliterated by time.  The lidded slipcase has matching marbled paper on three sides.  The separate lid includes a leather label blocked in gilt.  The chemise and lidded case provide exceptional protection for the book.  Expermentum is limited to 100 copies.

In third place, the BAB 'Bronze Talisman Award' goes to...

Primal Craft's The Scorpion God: Forbidden Wisdom of Belial by Mark Alan Smith (Venom Edition).

I continue to be impressed with the work of Mark Alan Smith and his talented bookbinders.  His previous work, The Red King, won last year's Silver Talisman Award.  His dedication to his chosen path comes through clearly in is writing.  Mr. Smith's books are not simple manuals detailing his unique witchcraft current; they are an essential physical component and direct manifestation of his practice.  The books in the 'Trident of Witchcraft' series give the reader the impression that they are almost conscious.  Some talismanic books serve as homes for resident spirits, or 'bottle' for the genie.  In Mr. Smith's case, his books are the actual flesh.

Third volume in the 'Trident of Witchcraft' series, The Scorpion God is a hefty tribute to Belial.  Unlike the first two books (The Queen of Hell and The Red King published by Ixaxaar), The Scorpion God is published by Primal Craft, the author's own publishing house.  Size and format match the first two volumes for an attractive uniform set.  It is bound in a beautiful shade of full olive goat (close to the hue of very old vellum) and bears the gold seal of the scorpion.  A delight to touch.  Gilt edges and ribbon bookmark.  Evocative and dramatic interior artwork by Namtaru Creations.  Each copy (73 total) is consecrated, signed, and sigilized by the author using ink that was ritually infused with his own blood.  A truly talismanic work, one that the author claims will never be reprinted.

2012 Honorable Mentions:

• Theatrum Chemicum Britanicum compiled by Alias Ashmole (Vellum Edition), published by Ouroboros Press.
• Veneficium: Magic Witchcraft and the Poison Path by Daniel Schulke (Deluxe Edition), published by Three Hands Press 
• The Psalter of Cain by Various (Deluxe Edition), published by Xoanon Ltd.
• The Toadman: Lore and Legend, Rites and Ceremonies of Toadmanry and Related Traditional Magical Practices by Nigel Pennick, published by The Society of Esoteric Endeavour.
• The Sacrificial Universe by David Chaim Smith (Deluxe Edition), published by Fulgur Ltd.
• Mandragora by Various (Cthonia Fine Bound Edition), published by Scarlet Imprint.

2012 was a very exciting year for esoteric publishing.  A great number of wonderful texts saw publication, making this year's judging extremely difficult.  However, one publisher really stands out:  Ben Fernee of The Society of Esoteric Endeavour really had a spectacular year with a number of showstoppers, much like Scarlet Imprint did in 2011.  Mr. Fernee has really taken esoteric publishing to a new level (or one not seen in centuries) by offering optional lidded slipcases and chemises with his most recent publications, a feature rarely seen in the publishing world these days regardless of genre.  Many thanks, Mr. Fernee.

2012 saw the publication of a number of nicely bound and inspired magical texts and insightful essay collections; the The Book of Azazel by E.A. Koetting (Special Reserve Edition) from the new publishing house Nephilim Press and Scarlet Imprint's At the Crossroads (Compassed Edition) come to mind. The year also saw the release of a few books destined to become modern classics, such as Daniel Schulke's Veneficium: Magic Witchcraft and the Poison Path from Three Hands Press (the Deluxe Edition bound in snakeskin and Shantung silk is particularly beautiful -- see pic) and Liber Falxifer II: The Book of Anamlaqayin by N.A-A.218 and published by Ixaxaar.

While we didn't experience a Mayan apocalypse, we did see a significant number of classic magical texts that were discovered, reprinted, and saved from obscurity.  The 2012 Silver Talisman award recipient, Experimentum, is a perfect example.  2012 also saw the publication of another important classic work, Theatrum Chemicum Britanicum, thanks to Ouroboros Press.  Their sturdy vellum and leather editions will ensure this work sticks around for a few more centuries.  A dear friend remarked that the stunning white vellum edition (complete with white ribbon closures) looked like a wedding registry book (see pic).  Amused, I responded, "It is... a chymical wedding".  If I were to judge books by their esoteric content, Theatrum Chemicum Britanicum would likely take this year's gold.  There's a reason why Sir Isaac Newton owned a copy.  It is a masterpiece.

Lastly, another very noteworthy reprinted manuscript that may have flown under the radar of many of my readers in 2012 is Der Freund in der Noth - Or - The Friend In Need: An Annotated Translation of an Early Pennsylvania Folk-Healing Manual by Johann Georg Hohman, translated (for the first time in English) and annotated by Patrick J. Donmoyer.  It is published by The Pennsylvania German Cultural Heritage Center.  This is an extremely obscure and primary source work relating to the American folk-magic tradition know as Pow-wow, a.k.a. Braucherei.  It is now available for the first time since 1813.  Previously unknown or forgotten charms and practices can now be accessed and utilized by modern practitioners, further enriching the tradition.  It is a sturdy, albeit humble, book (much like the tradition).  The Friend is Need includes an impressive amount of scholarly research, facsimiles of the original text (with English translation on the opposite page), and commentary by Mr. Donmoyer who has a particularly keen understanding of this fascinating tradition.

As we look forward into 2013, there are already a number of highly anticipated books on the horizon:

• The 'Mor Edition' of Exu and the Quimbanda of Night and Fire by Nicholaj de Mattos Frisvold (Scarlet Imprint) should arrive any day.  This massive goatskin tome is bound to make a deep and lasting impression within some circles.
• Ixaxaar has plans to release a pair of diabolic texts penned by Johannes Nefastos, The Catechism of Lucifer and FOSFOROS.  
• Three Hands Press shall release the long-awaited ARCANUM BESTIARUM by Robert Fitzgerlad.  This will include 55 original woodcut illustrations by Liv Rainey-Smith.  I am a great admirer of her work.
• Salamander & Sons is rumored to release a new limited work in the Golden Dawn tradition within the near future.  
• Also be on the lookout for The Book of St. Cyprian by Humberto Maggi from Nephilim Press.  
• And of course we mustn't forget the 2013 Esoteric Book Conference scheduled for next September.  

Have a great year, dear readers.

Sincerely,

B. Balkan

The Spirit of Magic by Eamonn Loughran

The Hell Fire Club.  2011.  36 pages. Duodecimo (Twelvemo).  Black and white scans and photos.

Available in three editions:

Standard cloth edition: limited to 730 copies.
Quarter leather edition: limited to 36 copies.
Full leather edition: limited to 11 copies.

The Spirit of Magic: The History of Appolonius Tyanensis -- The History behind Eliphas Levi's Evocation of the Ancient Greek Magician Appolonius of Tyana published in his 'Dogme et Rituel de la Haute Magie' 1854 is Eamonn Loughran's second book.  His first was Secret Symbols of the Hell Fire Club.  His current book is an essay exploring the link between Western occultism and Greco-Roman magic and how it has influenced magicians, particularly Eliphas Levi.  The Chaldaean Oracles, Corpus Hermeticum, and the 'Emerald Tablet of Hermes' have long been part of the foundation of Western Magic, as have the influential writings of Neoplatonic philosophers like Proclus and Iamblicus.  However, historians and occult researchers are discovering that we've inherited a lot more than just philosophy.  There is increasing evidence that Western magical systems and practices (particularly features of grimoire magic and necromancy) may have roots that reach beyond the Renaissance and back into antiquity.  Jake Stratton-Kent's monumental Geosophia is a prime example of an impressive body of research that makes a solid case for this connection.

In London on July 24th, 1854 Eliphas Levi attempted to make direct spirit contact with the ancient miracle-worker, Appolonius of Tyana.  Appolonius is said to have performed a similar operation in his day by attempting to summon the spirit of Achilles.  Levi's description of the event is included in the book.  He comes off as a person quite shaken by the experience.  One cannot help but notice the influence of the Spiritualist movement in Levi's words.  Spiritualism was nearing its peak in popularity at the time.  Levi describes a 'cold spot' when the spirit began to manifest.  His arm became numb where the shade touched him, and remained so for many days.  The entity claiming to be Appolonius seemed to drain Levi of his energy.  Levi states, "I experienced an intense weakness in all my limbs, and a swooning sensation came so quickly over me, that I made two steps to sit down, whereupon I fell into a profound lethargy..."  Levi claimed he was never the same after the visitation, feeling a "singular attraction towards death.." that he was never able to shake.  He later warned others from attempting similar spirit contact, as he considered it far too perilous.

The edition reviewed here is one of 11 full leather editions.  The book is bound in black leather with a deep pebble grain.  The deep grain is so pronounced that it almost feels like lizard hide.  The boards are very rigid and solid.  The most striking feature is the cover's unique a leather inlay.  The ubiquitous SATOR magic square is blocked in gold upon crimson leather.  The inset crimson leather is smooth and of a softer texture than the surrounding leather.  This adds to an interesting interplay of color and texture.  Hell Fire Club has used a similar technique previously with their Z3 book, a beautifully presented facsimile of an original Golden Dawn document.   The spine is blank, likely due to the intense leather grain and the slimness of the volume (only 36 pages).

The book opens to solid red endpapers.  With such a lavish outward presentation I was a little disappointed that the interior quality did not match the outer.  The pages are extremely thin, allowing images to show through in some cases.  Some images are a bit pixelated.  No page numbers are provided.  It concludes with a Bibliography.

Overall it is an attractive and interesting little book.  The monograph was part of a Hell Fire Club dinner presentation on the subject.  Loughran's brief study provides intelligent analysis of Western magic's link to antiquity and examines some of the tradition's earliest contributors.